Troilus and criseyde chaucer essays

Contrasts the Cassandras in Chaucer's Troilus and Criseyde and Boccaccio's Filostrato to show how Chaucer changed the character, sharpening its focus upon the ravages of fortune. Barney Hamden, Conn.


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Compares Troilus and Criseyde to its immediate source, Boccaccio's Il Filostrato, and describes the changes Chaucer made in his process of "medievalizing" the story. The poem's historical pose, its rhetorical amplification, its consistent sententiousness, and especially its representation of the conventions of courtly love place it in the medieval romance tradition and distinguish it from Boccaccio and rising Italian humanism.

Images of Love in Chaucer's Troilus and Criseyde Essay example

Suggests that the French version was his primary source and a means to improve his knowledge of the Italian language. Ithaca, N. Addresses Troilus and Criseyde as a poem about Chaucer's confrontation with previous poetry, especially classical poetry as he observed its treatment in Dante's Commedia. Through Troilus, the narrator of Chaucer's poem explores and rejects medieval, courtly love found in Roman de la rose.

Significant allusions to Vergil, Ovid, Statius, and Dante define the roles of Troilus and Criseyde as epic actors rather than as courtly lovers, directing attention to the narrator's difficulty in accepting his characters and their actions. The narrator confronts the opposition between Christian and pagan poetry, acknowledging the power and the limits of ancient verse, and in his Epilogue, accepting the Dantean role of Christian poet.

A contrast between mere making and true poetry underlies this acceptance, particularly as Dante adumbrated it in his fictional account of Statius's "conversion" to Christianity through poetry. Demonstrates the influence of various poems by Guillaume de Machaut on Chaucer's Troilus and Criseyde, especially Jugement dou roy de Navarre and Remede de Fortune on Troilus's psychology and Pandarus's advice, and Paradis d'Amour and Mireoir amorereux on Antigone's song.

Edited by Piero Boitani.

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Cambridge: Cambridge University Press, , pp. Explains the cumulative effect of Chaucer's "in-etched" alterations of Boccaccio's Filostrato in his Troilus and Criseyde. Chaucer expands the conceptual breadth of the story by emphasizing the characters's reflectiveness about love and increasing references to death, time, fortune, and God. Chaucer Society Publications, Second Series, no.

Courtly Love in Troilus and Criseyde Essay

London: K. She writes dismissively in response to his letters and on the tenth day accepts a meeting with Diomede, and listens to him speak of love. Later, she accepts him as a lover. Pandarus and Troilus wait for Criseyde: Pandarus sees that she will not return and eventually Troilus realizes this as well.

Troilus curses Fortune, even more so because he still loves Criseyde; Pandarus offers some condolences. The narrator, with an apology for giving women a bad name, bids farewell to his book, and briefly recounts Troilus's death in battle and his ascent to the eighth sphere, draws a moral about the transience of earthly joys and the inadequacy of paganism, dedicates his poem to John Gower and Strode, asks the protection of the Trinity, and prays that we be worthy of Christ's mercy. Troilus' philosophical monologue in Book IV is from Boethius ' Consolation of Philosophy , a book that was extremely influential to Chaucer.

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